BLOOD LEWIIS

Pentecostal Gymnast Trapped in Lime Jello

(Butte County Free Music Society - BUFMS52) CDR $8.00

This is some Big Gurn, Ethel: a warm and twitching box of meat long-awaited (by someone somewhere, maybe) as a requisite for the passage of Blood Stereo and Bren’t Lewiis to the next stage in their mud-worshiping pupation. The bulk of the album consists of fried and munched decimations of recordings from live events in sunny Caledonia-Upon-Entrail, miscellaneous unincorporated villages throughout the backwoods of Lower Scotland’s Britain Minor region, and a handful of West Coast pear orchards in what is now known as California. Spookily hovering objects gently clang against one another in arenas of witchy ambience. Lo-fi reproductions of crushing rumbles hiss through passages of spastic regurgitation. Voices and mouth-hole-sourced noise-type audio jiggle and whither between swirling montages of home-made fweent, bent found sound, loops, and tape-manipulated jiggery-pokery. The gorp-meisters also disrobe for “Conversation With Bicycle Horn,” a graphic score composed in the early 1980s by Richard Sterling Streeter, who hails the first-ever recording of his work thus: “Exactly as annoying and monotonous as intended.”

BLOOD LEWIIS

The Toadstool Millionaires

(Chocolate Monk - CHOC.384) CDR $8.00

The unholy union follows 2016’s Pentecostal Gymnast Trapped In Lime Jello with further stabs at hobbling the mind. A two-course pig-out of time-distorting tape collage mangle and beady-eyed space bending sound processing by Gnarlos, Lucian Tielens, Karen Constance, Dylan Nyoukis, The City Councilman, Tom Chimpson, Lilly McBilllly, Elkka Reign Nyoukis, The Two Winnies and Lindy Lettuce. One section sounds like a melon-headed child fondling a dried umbilical stump. Includes I’m A Toadstool Millionare badge.