Glass Sponge

(23five) CD $12.00 (Out-of-stock)

The textural flutters, squeaks, and mobile scrabblings of Loren Chasse (Jewelled Antler Collective, Thuja) and corrosion aficionado Jim Haynes bring minimalism back from the dead. Bell tones, ghostly feedback, and tuning fork resonations all spiral together into translucent drones.


Mud Wall

(Helen Scarsdale) CD $12.00 (Out-of-stock)

Audio speleologists Loren Chasse (Jewelled Antler, Thuja, Blithe Sons, Franciscan Hobbies) and Jim Haynes (The Wire) collaborate on their third album of “broken minimalism,” an exploration of sound possibilities originating from traditionally non-musical materials (copper, stone, glass, sand, shortwave radio, rust, wind, water and mud). Sifting through viscous electrical fields, slumbering vibrations, and aerosolized pricklings, the duo invokes an aggregate of sustained harmonics, continuously evolving sound forms, and broad gestures of textural details. Monumental physicality somewhere between the quiet expressionism of recent AMM and John Duncan’s psychological inquiries.


Wrack Light In Copper Ruin

(Seal Pool) CD + DVD $15.00

Jim Haynes and Loren Chasse collaborated with Keith Evans to create Coelacanth’s fourth and most complex record. Culled from two performances -- a five-hour recording session during Matmos’s 96 hours at the Yerba Buena Center for the Arts, and an audio/visual performance with Keith Evans -- Wrack Light in Copper Ruin is more delicate than Coelacanth’s previous recordings, inhabiting a space where artists such as Jonathan Coleclough, Andrew Chalk, Mirror, and MNortham can be found, yet it maintains the mysterious, oceanic nature its name implies. Their sound illustrates a constant evolution of decay, encroachment, and repossession of the border space between the natural and the man-made.