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Using an analogue synth as a basic source plus a floor tom (as a resonator) and small cymbals,” says Touching Extremes, “the New York / Zurich-based sound carver achieves that kind of phenomenon where the vibrating propagations turn ears into resonance instruments themselves, something varying through placing our stance in different listening perspective…. The sound quality ranges from tidy oscillations to semi-distorted beating of frequencies, both cases yielding membranes’ movement and strange responses from the brain. Looks like you’re undergoing a transformation of the way you accept an acoustic code, it takes a while before your body reacts correctly…. [T]his is a radical approach to a delicate argument but Jason demonstrates much more about physics with such a few means than hundreds of theories could ever explain with hollow words and formulas.”