Kenny Rogers' Greatest Hit (Take 2)

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“Making a saxophone honk, screech and generally giving the impression of Mother Goose meeting armageddon,” explains All Music Guide, Blurt squawks “their way through a noisy avant-garde netherworld between jazz and rock…. [Frontman] Ted Milton’s voice is … a grumbling, gurgling, bleating (if not bleeding) blurt of a sound, silenced only when his mouth is wrapped around a saxophone reed [which] would just as soon imitate fingernails down a chalkboard or elephants in heat as conform to the jazzy warmth the instrument might yield in other hands.”