(Chocolate Monk - CHOC.316) CDR $8.00
On both the 20-minute tracks here, sounds that have been found, forcibly appropriated, and/or rendered unrecognizably alien ricochet off the guillotine blades operated by a couple of North American experimental wombats. Performed with no preparation or rehearsal in April 2015 at Second Act in San Francisco, accompanying a film by Winston Hacket, “Live” bends the skull with blaaps and fwunks hurled out of the Cocoquantus, a five-oscillators-and-two-delays device created by Pete Blasser that yields complex and often bewildering waveform switcheroos. “Not Live” is the product of three months swapping, editing, colliding, and intertwining mass media voices, field recordings, the ambiance from a variety of interior locations, animal noises, snippets of music both popular and obscure, sound effects and signal processing, unidentifiable gurgles and more.
... And The German Pillow Menu
(Chocolate Monk - CHOC.278) Split cassette $8.00
The first in a two-volume split tape gonk-off between The Bren’t Lewiis Ensemble and Blood Stereo (to be followed, glob help us, by a Karen Constance / Lucian Tielens cassette) is a prologue to a full-blown Blood Lewiis collaboration. Glass spins short yarns using bottle cap, hairbrush, tapes, turntable, violin and voice, with guest clarinet by My Little Panda, while Nyoukis calls upon the forces of gravity and fermentation for his side-long trip to the bottom of a bottle via tapes, voice, piano, drums, trumpet, violin, reel-to-reel, Library Of Congress C1 tape player and objects. C20. Edition of 40.
My Disgusting Heart
(Chocolate Monk - CHOC.353) CDR $6.00
A live set of horrible noise recorded at Café Oto in 2014, a slurry of guitar, voice and other oozed junk, with prodigious post-application of tape loop lunacy and other audio tricks. Cover art by Karen Constance. Numbered edition of 80