Absent-Minded Control Freak

(Butte County Free Music Society - BUFMS50) CDR $8.00 (Out-of-stock)

Forty-one minutes of deformed gurgles; electro-chemical spasms; Nyoukis-inspired gibber smacked by cut-up electronic damage; field recordings both exotic and mundane, mechanical and untamed; scratchy, bottom-of-the-barrel turntablism; and muy picante appropriated garble.


Backlit Colander With Holes Shaped Like Numbers / Bok Choy Festival

(I Dischi Del Barone - IDDB017) 7-inch $10.00

Two six-minute montages of reversed mitosis episodes, in which scaly pods, ruptured eggs, and clumps of partially digested hair smush through one another and glom together in unstable strains of Glass-spanktified dad-noise. “Backlit Colander With Holes Shaped Like Numbers” crawls with bacteria from munched electronics, murmurs of a chimney-entrapped Frampton (plus camel, but that should go without saying), tape yoont teetering on the lip of a magnetic abyss, and piercing splats from tiny automatic paintball guns. “High” and “lonesome” are the operative descriptors of “Bok Choy Festival”: Barbara Manning’s guitar loops backfire and self-annihilate in private spritz-overdose orgies; avian-constructed effigies of Annie Hayworth curdle; narration on the topic of body dysmorphia is provided courtesy of thrift store cassettes and a Sister Rosetta Thorpe quotation. Cover artwork by Karen Constance. With insert. Edition of 200.


Chronicles Of Magoo

(Feeding Tube) LP (lathe cut) $60.00

Harsh sentencing guidelines. Recorded live November 2020 as part of Feeding Tube's QuaranTunes series streamed via Zoom. Edition of hardly any.


Chronic Pussyfooting

(Butte County Free Music Society - BuFMS101) CDR $12.00

If this is not Barbara Manning and S. Glass’s post-apocalyptic homage to Fripp and Eno’s early ’70s monolith, the only other explanation is hermit crabs having brain seizures inside Tibetan singing bowls. Using loops and digital delay to enhance the steroidal calliope atmosphere with a touch of relentlessness and dread, the duo’s two long, whirling tracks fling ropes of bright ooze this way, that way, and the other way. Be on high alert for supernatural beings wobbling through a series of movements and gestures that make sense only to a black yogiraj lost in some unspecified realm where space and time are mashed into an origami-like lump. Thirty-eight minutes of symmetrical splats, crackling wheem, crystals made of congealed blood, and Tortuga silt. Includes reflective packaging.


Convicted Felon Adjusted For Inflation

(Coherent States - CS18) 2xCassette $15.00 (Out-of-stock)

(Coherent States - CS18) Cassette $8.00 (Out-of-stock)

A surreal collage of songs, sounds, Barbara Manning’s vocals, voice samples, loops, out-of-context rhythms, field recordings, electronics, cut-up manipulated noises, a cover of The Shaggs’ “Why Do I Feel?”, and anything else which is not considered music, even if it is, and does not need actual instruments to be played, even if they are used. The duo’s twisted orgy of sound borders on audacious, which the phrase “extremely psychedelic” fails to completely encapsulate. C37
Double-cassette edition comes with extra inserts and fragments. Bonus cassette is likewise snapped in half and unplayable.


Convicted Felon Adjusted For Inflation

(Butte County Free Music Society - BUFMS68) CDR $8.00 (Out-of-stock)

A surreal collage of songs, sounds, Barbara Manning’s vocals, voice samples, loops, out-of-context rhythms, field recordings, electronics, cut-up manipulated noises, a cover of The Shaggs’ “Why Do I Feel?”, and anything else which is not considered music, even if it is, and does not need actual instruments to be played, even if they are used. The duo’s twisted orgy of sound borders on audacious, which the phrase “extremely psychedelic” fails to completely encapsulate. Co-released with Coherent States.


Couscous Bizarre

(Feeding Tube) LP $15.00

Maximum sentencing. Threads of unease, cunning strums, the rhythm of the loop. Includes download card.


Do Not Disturb

(Butte County Free Music Society - BuFMS93) CDR $8.00

Released to kick off the Summer Of Ugh, Glands Of External Secretion’s noise-snuffled psychedelica sounds like what you see when you look through a kaleidoscope that’s been sat on by the creeper staring dude who’s always around even though no one knows him well enough to say if he’s a narc or a pedophile. Doesn’t talk for long time, and then all of a sudden does, loudly. It’s an album of disconnected visions and unstable passages from recuperation diary entries come to life, composed during recovery on a moldy waterbed surrounded by unreliable nomads in a hands-free hospital run by machines. Or a Volkswagon repair shop, possibly. Hard to say. Although it’s definitely trippy. Not in a way that expands the consciousness but rather stubs your toe on the paint in the crosswalk and makes you fall over. All the cars are honking at you because the light has changed in the time it took you to get up. The bag of kung pao take-out has been annihilated and you can’t decide which of the three traumas your forearm is experiencing hurts the most. That’s what this is. The second kind of trippy. The bad kind, with the overdriven speakers, online instruments, radios, sound effects, household objects and office supplies, sentences boosted from thrift store cassettes and the internet. Three pieces are soundtracks for videos (one of which screened in November 2019 at the Poesie Carnosa / My Dance The Skull festival in Italy, and in December at the Lip Bar X Psychic Communities film festival in England, while the other two were part of the Plague Time Television and Heinous Whining isolation concerts, respectively). Duo appearances live on WRCT and at Skeleton Dust Records from April 2019 are included, as well a re-creation of a solo set performed on the air at KFJC in December 2019. Lyrics were extracted and assembled from Roberta Flack’s early ’70s soul ballad, autobiographical notes in an anthology of amateur photography, and dreams published in the first issue of Andy Bolus’s Barbequeue’d Humans zine. Plus a bunch of outbursts and symptoms of preexisting conditions. Ominous rectangles and just, you know, general yarrrnnnnng.


Double U / Glands of External Secretion

(VHF - VHF31) 2xCD $12.00

An ambitious 30 minutes of pristine Double U klank und sturm, hailing their fjordic past while heralding their arrival at a new underwater home where mermaids play magic tubas and ghostly mariners dream of the four winds thousands of leagues above, plus a track-by-track demix of the same length, colliding the Glands’ kerflump with the Double U’s structure. Your music box will be coated with a sweet amber resin of wholly illogical proportions.


From the Earth to the Spheres Vol. 5

(Very Friendly - VF023) split CD $8.00

Fierce blonde Barbara Manning and Bananafish founder Seymour Glass are joined by Nels Cline on lap steel for “Icebox,” a slow ascent from isolation through frozen tape manipulation, icy drones, and subtle infernal groans from the obscure side of the moon. The unearthly fragmented vocals of the Italian Opalio brothers create the heavy, emotional textures of the interstellar “After the Meteor Shower,” with howling guitars and electronics, the distant echo of a drum, and a whispered chant emerging from the concrete surface of the planet.


Inoperable Turmeric Malignancy

(Butte County Free Music Society - BUFMS83) CDR $8.00

Released in support of the April 2019 tour by Seymour Cassel and Barbara Mandrell, as Aaron Dilloway refers to them, this mostly live recording reveals the crazed shards of flavor-blasted rock always present in the duo’s idiosyncratic gack but usually obscured by a psychotic interfacing of the psychedelic and the concrète, a là Ceremony. The five tracks here, including covers of The Dead C. and Traffic, writhe around like a bunch of unforeseen side effects to ill-advised pharmaceuticals sharing. Screeching, bellowing, collapsing, meandering toward oncoming vehicles, too many impaired functions to name.


Masters Of Atlantis

(Butte County Free Music Society - BUFMS29) CDR $8.00

This quasi-concept album chronicles an old man's nervous breakdown, his inevitable collapse, and the disastrous wake-up call. Like Meat Receiving (Ultra Eczema 2009), Tubular Bells (Starlight Furniture Co., 2003), and Icebox (Opax 2005), it is both an electronic album and a musique concrète album, though not strictly either. An unnerving montage of found sounds and field recordings (rusty hinges, antique calculators, security alarms, spewed liquids, defective mechanical pumps, public address announcements), narcotized sound effects from cartoons and children’s records, tape loops and tape cut-ups, and a smidge of electric guitar. Previously released on Inyrdisk.


Meat Receiving

(Ultra Eczema) LP $18.00 (Out-of-stock)

Two sidelong tracks of ground-up tape noise and uneasy electronics. One track is not quite side-long, but has been, ahem, fleshed out with the five-minute "Venison" (previously released by From The Same Mother on a CDR comp; features Tom Lax on tongs). Overall, an off-kilter abattoir of dread and fear and suffering.


Meat Receiving

(Butte County Free Music Society - BUFMS41) CDR $8.00

Two long tracks of ground-up tape noise and uneasy electronics, plus the five-minute "Venison" (previously released by From The Same Mother on a CDR comp; features Tom Lax on tongs), all previously released on the Ultra Eczema LP of the same name. Overall, an off-kilter abattoir of dread and fear and suffering. With bonus tracks.


Namaste, Judas

(Dinzu Artefacts - DNZ13) Cassette $6.00 (Out-of-stock)

Four surrealist narratives obscured, encoded, abstracted, and projected onto wobbly canvases using loops, field recordings, electronics, found sound, improperly played instruments, and encrypted treatments where very little is what it seems to be. Includes free download card. C30


Neck Pillow

(Siltbreeze) LP $20.00

At a marathon four-day recording session at Safe At Home in Long Beach, California in April 2022, Barbara Manning played lapsteel, glass table top, metal grating, conga drums, guitar and trombone-kazoo. Seymour spent a few minutes extracting smooth oompah-loompah from a Lowrey organ, and running his noise boinger through a GT-1. Field recordings aplenty were captured, including Ptolemy eating lettuce and Dan Vargas assembling a swinging loveseat. Tongs, spatulas, and knives were played by Tom Lax, his second appearance at a Glands recording session on his chosen axes. As an added bonus there are not one but two guest vocalists on The Spandau Ballet Medley. Everyone present was under the influence of Woody Guthrie novelty tunes, a documentary about Brisbane punk, Diamond Jim Brady’s eating habits, The Art of Walking, THUMS Islands, pure eucalyptus honey, and the side-long track on We Shoot For The Moon. Early reports that “Everything sounds like Tusk outtakes” have proved to be accurate AF. Whether this makes you feel like Bugs Bunny floating through the air nose first, following an aroma toward the witch’s cauldron, or like doing an Exorcist-style crab-walk, you are not alone. Larry Tate is by your side.


Northern Exposure Will Be Right Back

(Starlight Furniture Company - *4CD) CD $6.00

(Starlight Furniture Company - *4LP) LP $10.00

A surreal scrapbook collage of songs, sounds, and manipulated noise by singer–songwriter Barbara Manning and founder of Bananafish magazine S. Glass. With many excerpts from Glass’s early ’80s radio show, and guest appearances by members of Thinking Fellers Union Local 282, CCCC, Masonna, The Dead C., U.S. Saucer, The Double U, Bren’t Lewiis Ensemble, and many of Manning’s bands.


Obedience To Authority

(Chocolate Monk - choc.452) CDR $8.00 (Out-of-stock)

Huffed synth bubbles float over soapy tape? Language-collapse injected inside a plump proto-punk donut like so much unsavory butter? It’s them California goofballs Barbara Manning and S. Glass holding claws across the ocean with the bristly Joe Murray. Whatever the dance steps, this is one scatty reel; arms and legs flying, with the good whisky getting spilled all over the parquet floor. If you have a fancy, lie low in your scratcher and drink it all in. Yes, freak, gobble it down, this rich clotted draft. Leave sense at the door and wipe a flannel across your knotted brow. Layering (filo-like) ouch sounds becomes a universal “um.” It’s pure and simple. It’s dream weapon ammunition. Edition of 60


Power b/w Helen Said This

(Independent Woman) 10-inch (lathe cut) $25.00

Covers of tunes by antipodean murkmeisters The Dead C by yank devotees. With insert. Edition of 30


Reverse Atheism

(Butte County Free Music Society - 32) 2xLP $22.00

Barbara Manning and S. Glass lead a small army of guest readers and musicians through barely musical versions of tunes, texts, and tracts. Barely faithful cover versions (XTC, Gods Gift, Hank Williams, The Osmonds, Edgar Winter, The Birthday Party, New Creation), with varying degrees of overhaul, mangling and looseness of interpretation, emerge like seared remnants of a torched London happening from 1966. Texts by Elizabeth Clare Prophet, Dan Ashwander, Wayne Bent, John F. Kennedy, Flannery O’Connor, Hugo Ball, Rayva Liliana, and Hippocrates traverse the spectrum of belief, resulting in a migraine coexistence of skepticism, Mormons, Seventh Day Adventists, Scientology, paranoid schizophrenia, doomsdays cults, Hinduism, evangelism, Catholicism, witchcraft and wizardry, guardian angels, Armageddon, rapture, post-apocalypse, Illuminati, satanism, existential despair, purgatory, creationism and intelligent design, Darwinism, conspiracy and hoax, the Tarot, human sacrifice, Sikhs, ascension, royalty, cargo cults, divine right, fatalism, Western medicine, oaths, incantation, cosmic retribution, excommunication, alien abduction, the occult, pagans, infidels, heathens, mind control, prophecy, remote prayer, and, naturally, atheism. Guest speakers include Lucian Tielens (Bren’t Lewiis Ensemble), Bruce Russell (The Dead C.), Patricia Rowland (Vomit Launch), Jett Hotcomb (The Talented Hairdos) Thurston Graham (Resistance Works), Scott Simmons (Eat Skull), Dave Gulbis (Celine Dion) Andrew Murphy (Celine Dion, Forked, Smooch), Titch Turner (The Vaticans), Emiko Saito (Obsessive-Compulsive Cat), Cristain Ceia (Romania), Matt Mumper (Beor The Friendly Thing, The Helper), Toni Smith (HappyLucky Design), and Rainbow Cartwheel (This Is Yvonne Lovejoy). Guest musicians include Flavor Station (Ukuzuna) on ukuleles and vocals, Alastair Galbraith (A Handful of Dust) on violin, Doug Pearson (International Hello) on electronics, Black Rose (This Is Yvonne Lovejoy) on keyboards, and Earl Kuck (Tedium House) on small motors. With 24 x 36 poster. Tedium House copies include a penalty CDR containing two demo-style rough mixes, two noise-loop collages, and Kali Bahlu's "A Cosmic Telephone Call From the Angel Liesle and The Buddha" reimagined as a radio play.


Spicy Your Life

(Beartown) Cassette $6.00 (Out-of-stock)

A thirty-minute dreamscape that splatters the walls with spongiform sunshine. In this life-altering walkabout in the outback of the unconscious, messages from within to go straight to voicemail for the foreseeable. You’re on borrowed time. Imported from UK


Tubular Bells

(Starlight Furniture Company) split LP $14.00

A no-instruments interpretation of Mike Oldfield’s epic instrumental performed by Glands of External Secretion (side one) and Decaer Pinga (side two), in which deficiency is the cornerstone. By intentionally limiting themselves to prerecorded tapes, field recordings, electronic devices and effects, out-of-context musical passages, and anything else that did not require a musical instrument to be played, both bands interpret their respective halves of this legendary opus with methods that seem to run counter to the spirit of the original, yet paradoxically force it to shine through. Limited edition 300 copies.


Unexplained Bite Marks

(Butte County Free Music Society - 34) CDR $8.00

Released in April 2012 to coincide with Glands of External Secretion’s third-ever live appearance (at Trapdoor Fucking Exit, a performance series connected to Helga Fassonaki’s Touching Them Touching You - A Love Song for the Dead C), Unexplained Bite Marks took place on May 20, 1994, at legendary subterranean niteclub The Purple Onion, in the Chinatown / North Beach district of San Francisco, where a loveable maniac by the name of Tom Guido holds court whenever and with whomever he wants. Michael Morley (of The Dead C and Gate) happened to be in town, and Margaret Murray of U.S. Saucer (and Manning’s Truth Walks In Sleepy Shadows album) never refuses a challenge, so this utterly impromptu occasion also marked the first and only time Glands of External Secretion was a quartet. The raw and monolithic result is loud, distorted, saturated and more obscured by murk than The Loch Ness monster on a menopausal rampage.


Who’s Who In Hospitalization

(Starlight Furniture Company) CD $6.00

Together in one noisological bed (so to speak), Barbara Manning, S. Glass, and Dylan and Lisa Nyoukis donate an hour of full-on collapsing noise and tape loops of junk. Sweet, sweet bounty. With Doug Pierson on electronics. Produced by Tom Smith.